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名人書畫習得的三大要素
The Three Elements of Learning Celebrity Calligraphy and Painting
紙和搪瓷的識別是在紙和搪瓷上進行的。 life的壽命通常約為100年,而紙的壽命約為1000年。 當然,由于地下埋葬環境的不同,出土文物中的紙筐可能仍會超過千年。 例如,在金唐之前,就已經編織了單絲,直到宋代才發現了雙絲的縐紋,這種縐紋比元和明朝的要細。 根據質量類別,您可以確定書畫的年齡。 紙上也有時代的痕跡。 隋唐以前,紙以大麻為原料,纖維含量較高,紙質也不佳。 隋唐以后,樹皮被用于造紙,其紙張質量比以前更好。 北宋中期以后,造紙材料多樣化,并提出了論文。 多元化。 實際上,民間收藏的書畫只出現在明清末期。 這是因為紙張和搪瓷本身很難保存數百年。 再加上偽造者的困惑,有人認為古代書法的相當一部分是魚。 名人書畫習得的三個主要要素:
The identification of paper and enamel is carried out on paper and enamel. The lifespan of life is usually about 100 years, while the lifespan of paper is about 1000 years. Of course, due to differences in underground burial environments, the paper baskets in unearthed cultural relics may still exceed a thousand years old. For example, before the Jin and Tang dynasties, single silk had already been woven, and it was not until the Song dynasty that double silk wrinkles were discovered, which were finer than those of the Yuan and Ming dynasties. Based on the quality category, you can determine the age of the calligraphy and painting. There are also traces of the times on paper. Before the Sui and Tang dynasties, paper was made from hemp as raw material, with a high fiber content and poor paper quality. After the Sui and Tang dynasties, bark was used for papermaking, and the quality of the paper was better than before. After the mid Northern Song Dynasty, papermaking materials became diversified and papers were proposed. Diversification. In fact, folk collections of calligraphy and painting only appeared in the late Ming and Qing dynasties. This is because paper and enamel themselves are difficult to preserve for hundreds of years. In addition to the confusion of the forgers, some people believe that a considerable part of ancient calligraphy is fish. The three main elements of celebrity calligraphy and painting acquisition:
一,安裝標識
1、 Installation identification
每個時代都有自己的特點。 例如,在元代,藏畫的收藏是由一個特殊的人選擇的。 大德四年間,“古代玉象牙成為軸心,桉樹金碧繼續被安裝”。 在明代,畫作在畫卷中加入了鉛,有些還寫在了線上。 垂直軸有寬和窄的一面,有些還增加了詩歌。 清代宮廷繪畫的材料和技術形式都比明代更好。
Each era has its own characteristics. For example, in the Yuan Dynasty, the collection of Tibetan paintings was chosen by a special person. During the four years of Dade, ancient jade ivory became the axis, and eucalyptus trees and emerald continued to be installed. In the Ming Dynasty, lead was added to paintings, and some were even written online. The vertical axis has both wide and narrow sides, and some even add poetry. The materials and technical forms of palace painting in the Qing Dynasty were better than those in the Ming Dynasty.
二,印章識別
2、 Seal recognition
宋代的許多歌舞作品未加蓋印章,有些蓋有青銅和玉印章,并且印章上印有致密的印章和水上的櫻花。 封印由木頭,象牙,銅,玉等制成。版畫為模版和櫻花代。 使用了石印。 明代的石印章很常見,雕刻方法使用“錘頭式”。 清代油櫻所使用的印章大多為印章形狀,其字體和字體也多種多樣。 油墨顏色是油性的。 繪畫中衣服和生活用具的標識冠在不同的年齡通常會有所不同,并且生活用具也有所不同,可以被識別。
Many song and dance works of the Song Dynasty were not stamped, some were stamped with bronze and jade seals, and the seals were printed with dense seals and cherry blossoms on the water. Seals are made of wood, ivory, copper, jade, etc. Printmaking is a template and cherry blossom representation. Stone seals were used. The stone seals of the Ming Dynasty were very common, and the carving method used was "hammer head style". The seals used by the Qing Dynasty oil cherry blossoms were mostly in the shape of seals, and their fonts were also diverse. The ink color is oily. The identification crown of clothes and household utensils in painting usually varies at different ages, and household utensils also vary and can be recognized.
三,職稱鑒定
3、 Professional title appraisal
這些問題分為三類:作者的頭銜,當代的問題和后代的問題。 標題是增加書畫的價值。 但是,通常會出現帶有錯誤問題的真實繪畫或帶有真實問題的偽造繪畫,應仔細識別。 特別是,**藝術家更容易被假書法題字吸引。
These issues can be divided into three categories: author titles, contemporary issues, and future issues. The title is to increase the value of calligraphy and painting. However, genuine paintings with incorrect issues or forged paintings with genuine issues often appear and should be carefully identified. Especially, * * artists are more easily attracted to fake calligraphy inscriptions.
今天的書法作品可以分為兩種,一種是行業,一種是書法家的作品;另一種是書法作品。 一個是外行,不是的書法家,純粹是書法愛好者。
Today's calligraphy works can be divided into two types: one is from the industry, and the other is from professional calligraphers; Another type is calligraphy works. One is a layman, not a professional calligrapher, purely a calligraphy enthusiast.
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