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字畫裝飾中的裝裱技巧

來源:http://www.longxiapy22.com 發布時間:2017-02-13

  字畫裝裱是以各種綾錦紙絹對古今紙絹質地的書畫作品進行裝裱美化或保護修復。在進行名人字畫收購中,我們可以經??吹窖b裱精美的字畫,您是否了解關于裝裱的知識呢?今天,大雅堂藝術館和大家談談字畫裝裱的技巧有哪些。收購名人字畫
  Is framed calligraphy and painting mounting landscaping or protection and restoration in a variety of silk brocade paper and silk paper and silk texture of the ancient calligraphy and paintings. In the acquisition of famous paintings, we can often see beautifully framed paintings, do you know about mounting knowledge? Today, what are the Great Hall of the art gallery and talk about calligraphy and painting mounting techniques.
  在宣紙和絹素上所作的書畫,因其墨色的膠質作用,畫面多皺折不平,易破碎,不便觀賞、流傳和收藏。只有經過托裱畫心,使之平貼,再依其色彩的濃淡、構圖的繁簡和畫幅的狹闊、長短等情況,配以相應的綾絹,裝裱成各種形式的畫幅,使筆墨、色彩更加豐富突出,以增添作品的藝術性。
  In the paper and silk on the painting, because of its role in glial ink screen, multi fold rough, easily broken, inconvenience, and spread of ornamental. Only through the support mounting heart, make flat, according to the depth of color, composition and character format wide, length, with the silk, framed into various forms of frame, ink, color more prominent, to add artistic works.
  在裝裱時,已揭好的畫心,如完整,可調兌稀糊,托一層比命紙命絹稍淺的舊色紙。如有殘缺,可用手將畫心殘處邊際揉出薄口,選好補紙,端正紋理補上,并在補口邊際搓出薄邊。使接縫處厚度適宜。補綴殘缺的絹本字畫,一種方法是揭畢待干,用刀將殘處刮成薄口,上糊補絹,漿口干后再修刮補絹邊際,使補口相合。
  In mounting, has revealed good painting, such as complete, adjustable against thinboicing supporting a layer of life than paper silk slightly lighter colored paper old life. If there is incomplete, the hand can be used to draw the edge of the Department of rubbing the heart out of a thin mouth, select the fill paper, correct the texture fill, and in the mouth of the edge of a thin edge. Make joint thickness suitable. Repair broken silk paintings, a method is exposing Bi to be dry, with a knife to scrape into thin residual at the mouth, paste up silk pulp after shave up dry silk margin, make joint consistency.
  另一種方法是托上一層與原命絹質地、絲紋相近的薄絹。正面如有殘缺,可用素紙補在托絹的背面,使畫心薄厚統一,干后再用刀修磨畫面殘缺處的邊際。托舊絹畫心時,要用干紙吸去正面的溢糊,以免留有漿跡,影響古舊作品的“褒光”。
  Another method is to support a layer of silk and the original texture, silk thin silk. Positive if there is incomplete, available on the back fill paper supporting silk, the painting heart thick, dry and then knife grinding at the marginal incomplete picture. Asked the old silk heart, use a dry paper to absorb the positive paste overflow, so as not to leave traces of ancient works of pulp, "praise the light".
  這幾種方法你都學會了嗎?如果還有什么不懂的,歡迎隨時打電話咨詢!
  Have you learned any of these? If you do not understand anything, please call at any time!