Today's calligraphy and painting market is very hot, so for people who like painting and calligraphy, calligraphy and painting collections in the field of investment in the need to pay attention to what issues? Xiao Long said, collectors must first put the mentality, must not have to make money and mentality, to learn more knowledge, shot cautious when investing in. On this basis, there are five tips for collectors to explore research:

　　，不斷提高自身對書畫藝術的認知水平，真正了解畫家本身的風格特點。“現在很多人都盲目追求大師的作品，比如齊白石先生的作品追的人多，但贗品更多。因為齊白石的畫屬于大寫意，似乎容易模仿，因此假畫也多。雖然人們普遍認為他的畫好臨摹，其實他的畫難造假，他的畫所反映的意境，畫本身的靈魂和透露出來的氣息都是造假者所不能達到的，對于收藏者來說如果真能了解到大師作品的靈魂和本質就不會被贗品所欺騙，當然這需要收藏者具備多年的書畫研習功底。”蕭瓏說，不同畫家也有不同風格。以蕭朗先生為例，收藏者如果想要收藏就需要知道畫家的風格、習慣，比如他為擅長的是小寫意花鳥，對水對色的運用堪稱一絕，以及書法用筆、作畫絕不重復等等鮮明的特征。因此收藏名家的作品，需要收藏者本身也要很，要有一定的理論研究功底。

　　First, continue to improve their understanding of the art of painting and calligraphy, and truly understand the style of the artist's own characteristics. "Now many people are blind pursuit of the works of masters, such as Mr. Qi Baishi's works after many, but more. Because Qi Baishi's paintings are impressionistic, it seems easy to imitate, so many fake paintings. Although people generally think his painting is good in copying, his painting is the most difficult of fraud, his paintings reflect the artistic conception of the painting itself, the soul and breath are revealed counterfeiters can not reach, for collectors if it can understand the soul and essence of master works will not be deceived by the fake, of course need to have many years of learning calligraphy and painting skills of collectors." Xiao Long said that different artists have different styles. To Mr. Xiao Lang, for example, if you want to collect collectors need to know the painter's style and habits, such as he is the most good small bird freehand, the use of water on the color is a painting and calligraphy, and never repeat distinctive features. The collection of famous works, collectors need itself to be very professional, must have certain theoretical foundation.

　　第二，注意師承關系是幫助藏家篩選書畫作品的另一條途徑。蕭瓏表示，在收藏過程中，應該把近現代著名畫家按照師承關系列出一個脈絡。目前應該關注文革前美院以及各地方美院畢業的畫家。當年老藝術家只帶數量很少的學生，這些學生中的佼佼者可以說得到了老師的真傳，他們的作品在藝術上有所創新，應該說具備了一定收藏和投資潛力。比如像蕭朗、孫其峰等老先生的弟子，人數不是很多，他們都得到了老師的真傳，其作品也具備收藏潛力。

　　Second, pay attention to student relationship is another way to help collectors screening works. Xiao Long said, in the collection process, should take the modern famous painter according to his heritage series a context. At present, should pay attention to before the cultural revolution, the Central Academy of fine arts and the Local Academy of fine arts graduate painter. Year old artist with only a small number of students, the leader of these students can be said to be a teacher completely, their works have innovation in art, it should be said with a certain collection and investment potential. Like Mr. Xiao Lang, Sun Qifeng and other disciples, the number is not a lot, they all got the teacher's face, his works also have the potential of.

　　第三，選擇冷門，也就是被“低估”的名家。如今的社會已經步入信息時代，畫家作品市場價值的高低跟宣傳也有著密不可分的關系，對于那些善于宣傳，傳播力度強的畫家，其作品增值較快，市場價也相對處于高位。而那些藝術功力深厚卻不擅宣傳，傳播力度弱的畫家，大都屬于被“低估”的一類，非常適合做長線投資，升值潛力很大。當然投資的同時還需對這些畫家的人品、人格、修養等進行考證，人品人格低下，修養匱乏的應慎重選擇。

　　Third, choose the winner, is the famous "undervalued". Today's society has entered the information age, the level of market value of artists and propaganda also has a close relationship, for those who are good at propaganda, propaganda the painter, whose works value faster, the market price is relatively high. The art of deep skill but not good publicity, the spread is weak the painter, mostly belonging to the category of "undervalued", very suitable for long-term investment, appreciation potential. Of course, at the same time the need for investment in the artist's personality, personality, culture, and other research, personality, personality, lack of training should be carefully chosen.

　　第四，要找對。由于個人知識所限，在收藏時往往需要幫著長眼，但選也不能盲目。“以我自己為例，作為蕭朗的后人，對他的畫風十分了解，但實在的說也不是他所有的畫我都能鑒定。比如父親在上世紀八十年代前的畫我就看不好，因為在此之前我年齡尚小，還未開始進行書畫藝術研究，那段時期的作品看的也少，對當時父親的畫風特點不甚了解。遇到父親早年的畫，我會請王振德、賈寶珉等曾早年跟隨我父親學畫的兄長幫助一同鑒定。因此在市場上如果遇到說是上世紀八十年代以前的蕭朗作品完全是由蕭瓏鑒定的，那恐怕不能保真。”蕭瓏表示，選對也是一門學問。

　　Fourth, to find experts. Due to the limitations of personal knowledge, experts often need to help in the collection of long eyes, but experts can not be blind. "In our case, as Xiao Lang's descendants, very understanding of his style, but it is not that all of his paintings I have identified. For example, the father in the painting before 80s of last century, I see no good, because before my age is still small, has not yet begun to study art painting and calligraphy, the period works are small, do not understand the style characteristics that the father. Meet father early painting, I will invite Wang Zhende and Jia Baomin had to follow my father's brother early learning together to help identify. Therefore in the market if there is the last century before 80s, Xiao Lang works entirely by Xiao Long identification, then I'm afraid I can't fi." Xiao Long said that the election of experts is also a learning.

　　，投資書畫作品時不要只看作者“頭銜”。很多人只認頭銜，其實頭銜只是一個職務，并不能完全反應作者本身的藝術水平，投資書畫還是要回歸作品本身。

　　Finally, when investing in calligraphy and painting, do not just look at the author title". Many people only accept the losses as it is actually just a title, title, position, and can not fully reflect the author's artistic level, or to return to the work itself and investment.

　　以上就是濟南收購字畫為您介紹的相關知識，希望對您有所幫助！熱情歡迎海內外有識之士前來參觀考察、洽談業務，共創美好未來。

　　The above is the acquisition of Ji'nan calligraphy and painting knowledge introduce you, and I hope to help you! Warmly welcome people at home and abroad come to visit and negotiate business, create a better future.