In ancient times, famous people's calligraphy and paintings were usually on paper or silk. Therefore, if you can understand the silk and paper of the past dynasties, it is particularly useful to purchase famous calligraphy and painting. And we can judge the authenticity of celebrity calligraphy and painting by paper. So how to judge the authenticity of celebrity calligraphy and painting through paper? Let's introduce it to you.

1、絹的發明在紙之先，用絹來作書畫的年代也比較早。不過絹有一個缺陷，就是保存的時間不像紙那么長。無論保存得有多好，不受任何意外損傷，只是空氣的自然浸蝕，年代久遠的絹就會變得糟脆。百年以上的絹，已經沒有韌性了。明代初年的絹，今已經腐敗得不能碰觸。而宋的絹，因裱托得比較好，目前還可見到，于宋代以前的絹，雖然有，但也已經辨不出模樣了。

1. The invention of Chinese silk was prior to paper, and the use of silk for painting and calligraphy was also relatively early. However, the silk has a defect that it does not last as long as paper. No matter how well preserved it is, it will not be damaged by any accident, but the natural erosion of the air will make the old silk brittle. Silk of more than 100 years has lost its toughness. Silk in the early Ming Dynasty has been so corrupt that it can not be touched. The silk of the Song Dynasty, because of its good mounting, can still be seen at present. As for the silk before the Song Dynasty, although there are, it has not been able to distinguish its appearance.

2、宋代初年的絹，橫豎皆單絲，不過橫絲稍粗，看似雙絲。宋代中葉，橫豎絲粗細相同，但都比早期的絲線粗一些，顏色與深藏經紙色略同。元代的絹，橫豎絲線仍然是單的，但絲線細而紋理稀。明初則豎絲為單而橫絲變為雙，絲線粗細均勻，密度整齊。清代，橫豎絲都變為雙絲，以前的單絲絹也不復存在。
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2. The silk in the early Song Dynasty was made of single silk both vertically and horizontally, but the horizontal silk was slightly thick and looked like double silk. In the middle of the Song Dynasty, the horizontal and vertical silk threads were the same in thickness, but they were thicker than those in the early period, and the color was slightly the same as that of the deep Tibetan Sutra paper. The silk of Yuan Dynasty is still single, but the silk thread is thin and the texture is thin. In the early Ming Dynasty, the vertical silk was single, while the horizontal one became double, with uniform thickness and uniform density. In the Qing Dynasty, both horizontal and vertical silk became double silk, and the former single silk no longer existed.

3、明以前的絹，傳今日，表面上已無亮光；絲上的絨毛，也已經完全褪掉。其顏色則內外如一。作偽者若用新絹，由橫豎絲的粗細單雙，即可辨別出來。有一種特制的元絲絹，從表面上看，與宋元的絹相似，但其表面上的光，以及絲上的絨毛，無論用什么方法，都不可能完全褪凈；而且其顏色也是內外不同，不可能與絹完全一致。

3. Before the Ming Dynasty, the silk has no light on the surface, and the fluff on the silk has completely faded. Its color is the same inside and outside. If the counterfeiter uses new silk, it can be distinguished by the thickness of the horizontal and vertical silk, single and double. There is a special silk of Yuan Dynasty. On the surface, it is similar to the silk of song and Yuan Dynasties. However, the light on the surface and the fluff on the silk can not be completely faded by any method. Moreover, its color is also different inside and outside, so it can not be completely consistent with the silk.

4、紙的情況要復雜一些。宋代以前的紙，有若干種類，其材料是什么，都沒有確切的記載。傳世的古紙，主要有棉紙和麻紙。從表面上看，棉紙有點類似今日的宣紙。麻紙的紋理要比棉紙粗疏一些。棉紙和麻紙中都摻和有絲。棉紙絲短，麻紙絲長。有一種簡便易行的方法可以鑒定紙的年代：取一舊紙，浸泡在水中，然后用針來挑。如果是宋紙，那么必然有很多稱絨，而且無論如何破碎，仍然可以裝裱。宋代以后的紙，則不可能這樣。如果用顯微鏡觀察，真紙并不平勻，膜皮如蟲蝕之狀，而且有一層白灰，若隱若現。其顏色則無論里外、凹凸，均系一致。偽造的絕代，因為是用顏色染成的，厚則深，薄則淺；里則淡，外則重；凸則有，凹則無。因為質地不同，其受色的程度必然不一樣。

4. Paper is a little more complicated. Before the Song Dynasty, there were several kinds of paper. There was no exact record of what the materials were. Ancient paper handed down mainly includes cotton paper and hemp paper. On the surface, cotton paper is a bit similar to today's rice paper. The texture of linen paper is coarser than cotton paper. Cotton paper and hemp paper are mixed with silk. Cotton paper silk is short, hemp paper silk is long. There is a simple way to identify the age of paper: take an old paper, soak it in water, and pick it with a needle. If it is song paper, then there must be a lot of velvet, and no matter how broken, it can still be mounted. After the Song Dynasty, it was impossible for paper to do so. If observed with a microscope, the real paper is not even, the film is like insect erosion, and there is a layer of white ash, faintly visible. Its color is no matter inside and outside, concave and convex, are consistent. Because it is made of color, thick is deep, thin is light; inside is light, outside is heavy; convex is there, concave is not. Because the texture is different, the degree of its color must be different.

以上就是關于通過紙質判別名人字畫真假的方式，希望對大家有所幫助。大家如果對此還有其他疑問的話可以隨時聯系我們！

The above is about how to judge the authenticity of celebrity calligraphy and painting through paper, hoping to help you. If you have any other questions, please contact us at any time!