在當代，字畫的收藏一直名列收藏品之首，主要容易購買、收存、送禮，而且收藏渠道比較成熟。我們通常提到的字畫收藏分為幾類，一類是已故名人名家，包括古代及近現代名家的作品；一類是當代藝術作品，而當代藝術作品中又可以按照創作形式分類，比如水墨畫、工筆畫、油畫等，幾種收藏和投資在理念上均有所不同。
In contemporary times, the collection of calligraphy and painting has always ranked first in the collection. It is mainly easy to buy, store and give gifts, and the collection channels are relatively mature. The calligraphy and painting collections we usually mention are divided into several categories. One is the works of late celebrities, including ancient and modern masters; One is contemporary art works, and contemporary art works can be classified according to their creative forms, such as Chinese ink painting, fine brushwork, oil painting, etc. several collections and investments are different in concept.
當今，字畫之所以可以成為收藏的大品類，也在于它入門的門檻相對較低，尤其是收藏現代還在世的藝術家的作品，一方面買到假貨的可能性比較小，另一方面，有很多新銳的藝術家，現在的作品還比較低，有巨大的升值空間。換個角度說，一幅畢加索的油畫，可能已經價值過億元，雖然這種收藏品不太可能會跌價，但是上漲的空間也很有限，畢竟，能接受得起如此高的藏家，也不會太多。
Nowadays, the reason why calligraphy and painting can become a major category of collection is that it has a relatively low threshold for entry, especially for collecting the works of modern living artists. On the one hand, it is less likely to buy fake goods. On the other hand, there are many cutting-edge artists. The current price of works is still relatively low, and there is huge room for appreciation. To put it another way, a Picasso oil painting may have been worth more than 100 million yuan. Although this kind of collection is unlikely to fall in price, the room for rise is also very limited. After all, there are not many collectors who can afford such a high price.
對于已故名家作品，筆者認為的字畫還具有很好的收藏價值。比對國外例如畢加索等名家的作品，大師的作品還是被嚴重低估，有些甚還不如當代還在世的作家的作品價值高。這不太符合價值規律，由于已故大師(當然必須是已經被公認為大師)的作品存在稀缺性，是資源，市場存貨有限，理論上應該更容易被炒高。
As for the works of the late famous masters, the author believes that Chinese calligraphy and painting still have a good collection value. Compared with the works of foreign masters such as Picasso, the works of Chinese masters are still seriously underestimated, and some are even less valuable than the works of contemporary living writers. This is not in line with the law of value. Because the works of the late Masters (of course, they must be recognized as Masters) are scarce, they are non renewable resources, and the market inventory is limited. Theoretically, they should be easier to be hyped up.
而初涉者
收購名人字畫時，則可考慮投資較為年輕的當代藝術家作品，還比較適當，未來有更大的升值空間。
When the newcomers purchase celebrity calligraphy and painting, they can consider investing in the works of younger contemporary artists. The price is relatively appropriate, and there is more room for appreciation in the future.
Of course, the plan can't keep up with the changes. Collectors also need to revise their investment plans at any time according to the actual situation, so as to increase the added value of the collection as much as possible, so as to increase the economic content in a relatively short time. Come to our website for more relevant content http://www.longxiapy22.com Consult and understand.
