國畫，和國書法一樣，是中華文明的精髓，是全國人應該了解的藝術。對于要欣賞國畫，那么掌握了解國古代品評繪畫的基本原則—“國畫六法”是很有必要的。下面山東收購名人字畫人員為您解析：

Chinese painting, like Chinese calligraphy, is the essence of Chinese civilization and the art that the whole country should understand. To appreciate traditional Chinese painting, it is necessary to master and understand the basic principles of ancient Chinese painting evaluation - the "six methods of traditional Chinese painting". The following is the analysis of Shandong's acquisition of celebrity calligraphy and painting personnel:

“六法”是南北朝時期生活在南齊的人物畫家和美術理論家謝赫提出來的。謝赫擅長肖像畫和仕女畫，據載他具備敏銳的觀察力和深厚的默寫功夫。所謂“六法論”，是指：氣韻生動、骨法用筆、應物象形、隨類賦彩、經營位置、傳移摹寫六個方面。

The "six laws" were put forward by Xie He, a figure painter and art theorist who lived in the South Qi during the Northern and Southern Dynasties. Sheikh is good at portrait painting and lady painting. It is reported that he has keen observation and profound silent writing skills. The so-called "six methods" refer to six aspects: vivid charm, bone technique, pictographic, color according to category, business position, and transfer and copy.

1、氣韻生動。

1. The charm is vivid.

即畫面形象的精神氣質，也就是東晉人物畫家顧愷之稱為的“神”。

That is, the spiritual temperament of the image, which is what Gu Kaizhi, the figure painter of the Eastern Jin Dynasty, called "God".

畫面形象的精神氣質要生動活潑、活靈活現、鮮明突出、形神兼備。國畫的要求，不僅要描繪出對象的外形，而且還要表現出它的精神。人物有精神，山水、花鳥也有精神。達到神似，就能氣韻生動。許多畫家認為，沒有氣韻的作品是不能稱之為畫的。

The spiritual temperament of the image should be lively, vivid, distinct and outstanding, with both form and spirit. The requirement of traditional Chinese painting is not only to depict the shape of the object, but also to show its spirit. Characters have spirit, as do landscapes, flowers and birds. If you reach the similarity of spirit, you will have vivid charm. Many painters believe that works without charm cannot be called paintings.

當然，要表現出藝術形象的生動性、真實性，即氣韻，也與其他五法分不開的，氣韻生動離不開構圖立意、筆墨技法，因此，它和其余五法是一個整體。其他五法同時也離不開氣韻生動，否則，也就成為了缺乏靈魂的純技術性的東西。

Of course, to show the vividness and authenticity of the artistic image, that is, aura, is also inseparable from the other five techniques. The vividness of aura is inseparable from the composition, conception and ink techniques. Therefore, it is a whole with the other five techniques. At the same time, the other five methods can not be separated from the vivid charm, otherwise, it will become a pure technical thing without soul.

2、骨法用筆。

2. Bone-technique pen.

骨法強調的是國畫中用筆的骨力。

Bone technique emphasizes the bone strength of the pen in traditional Chinese painting.

用筆，就是國畫有的筆墨技法。骨法用筆總的來說，就是指怎樣用筆墨技法恰當地把對象的形狀和質感畫出來。如果我們把氣韻生動理解為“神”，那么也就可以簡單地把骨法用筆理解為“形”了，因此，氣韻生動和骨法用筆又有著密不可分的內在聯系。

The use of pen is the brush and ink technique of traditional Chinese painting. In general, the use of the bone technique pen means how to properly draw the shape and texture of the object with the pen and ink technique. If we understand the vividness of qi and rhyme as "god", then we can simply understand the use of bone techniques as "shape". Therefore, the vividness of qi and rhyme are inextricably linked with the use of bone techniques.

“形”的描寫借助于筆墨寫出來，而寫形又不過是手段，其目的是表現“神”，這與顧愷之的“以形寫神”的表現客體的法則是一致的。

The description of "form" is written with the help of pen and ink, while the writing of form is just a means, and its purpose is to express "god", which is consistent with Gu Kaizhi's principle of "writing god with form" to express the object.

3、應物象形。

3. It should be pictographic.

就是畫家在描繪對象時，要順應事物的本來面貌，用造型手段把它表現出來。

That is, when painting objects, painters should conform to the original appearance of things and express them by means of modeling.

描繪事物要有一定的客觀事物作為依托和憑借，不能隨意的主觀臆造。但是，作為藝術，也可以在尊重客觀事物的前提下進行取舍、概括、想象和夸張。這可以說是一種創作態度和方法。

The description of things should be based on certain objective things and should not be arbitrarily subjective. However, as art, we can also choose, summarize, imagine and exaggerate on the premise of respecting objective things. This can be said to be a creative attitude and method.

4、隨類賦彩。

4. Color according to category.

指色彩的應用，指根據不同的描繪對象、時間、地點，施用不同的色彩。

It refers to the application of color, which refers to the application of different colors according to different painted objects, time and place.

國畫運用色彩同西洋畫是不同的，國畫喜歡用固有色，即物體本來的顏色，雖然也講究一定的變化，但變化較小。

The use of color in traditional Chinese painting is different from that in western painting. Traditional Chinese painting likes to use solid color, that is, the original color of objects. Although it also pays attention to certain changes, the changes are small.

5、經營位置。

5. Business location.

是指構圖。

It refers to composition.

經營是指構圖的設計方法，是根據畫面的需要，安排調用形象。即通過所說的謀篇布局，來體現作品的整體效果。國畫歷來重視構圖，講究賓主、呼應、虛實、繁簡、疏密、藏露、參差等種種關系。

Operation refers to the design method of composition, which is to arrange and call images according to the needs of the picture. That is to say, the overall effect of the work is reflected through the layout. Traditional Chinese painting has always attached importance to composition, stressing the relationship between the guest and the host, echo, emptiness and reality, complexity and simplicity, density, concealment and disclosure, and disparity.

6、傳移摹寫。

6. Transfer and copy.

就是指寫生和臨摹。

It refers to sketching and copying.

對真人真物進行寫生，對古代作品進行臨摹，這是一種學習自然和繼承傳統的學習方法。

It is a learning method to learn from nature and inherit tradition to draw from life and copy ancient works.

上面幾點對于畫家和繪畫作品來說，是的高的要求，一般都是很難完全達到的，達到了必然是大家。而普通愛好者，了解和掌握六法，便于理解古人品評繪畫的標準和著眼點，從而客觀地對待美術遺產。更多相關名人字畫的需求就來我們http://www.longxiapy22.com這里咨詢吧！

The above points are comprehensive and high requirements for painters and paintings, which are generally difficult to achieve completely, and it is necessary for everyone to achieve them. For ordinary enthusiasts, it is easy to understand and master the six methods, so as to understand the standards and focus of the ancients' evaluation of painting, so as to treat the art heritage objectively. More needs for celebrity calligraphy and painting come to us http://www.longxiapy22.com Consult here!