書畫藝術要做到了,也就是說,作者必須繼承了傳統書法的技能水平。
Painting and calligraphy should be the first, that is to say, the author must inherit the skill level of traditional Chinese calligraphy.
第二個是享受書法技巧,繪畫,如果正確使用,作者只要正常使用技巧都能作一幅畫。
The second is to enjoy calligraphy skills, painting, if used correctly, the author as long as the normal use of skills can make a painting.
第三,保護作者的藝術成就。作者再次創造有時候不一定使用傳統技巧,作者的獨特個性張揚,它應該是一個能夠體現作者靈魂的作品。
Third, protect the author's artistic achievements. The author's re-creation sometimes does not necessarily use traditional techniques, the author's unique personality publicity, it should be a reflection of the author's soul of the work.
第四，好作品的欣賞取決于構圖的布局,氣勢。主要為字間距,山水間距,適當布局錯落有致。一個看到作品的缺點。如錯誤,pragraphs,非標準字符,畫出來的畫是否缺乏一些章節，內容不,等等。
Fourth, the appreciation of good works depends on the layout and momentum of composition. Mainly for word spacing, landscape spacing, the appropriate layout is scattered. The last one saw the shortcomings of the work. Such as errors, pragraphs, non-standard characters, whether the painting lacks some chapters, content is not comprehensive, and so on.
三個鏡子
Three mirrors
反映了傳統書法方面的優點和缺點:書畫作品的優點和缺點,要看看這張畫顯示了作者的書法古代傳統的整體把握。換句話說,就是看看有多少時間作者在研究技法,如果拋開歷史傳統,不能稱之為書法。雖然還有
It reflects the strengths and weaknesses of traditional calligraphy: the strengths and weaknesses of calligraphy and painting works. First of all, we should look at this painting to show the author's overall grasp of the ancient Chinese calligraphy tradition. In other words, it is to see how much time the author has spent researching techniques that can not be called calligraphy if historical traditions are discarded. Although there are some
待觀察所有優雅的內容,反映了傳統文化和藝術大師,他自己的藝術修養和文化素養。只有兩者的結合,可使工作狀態,能給觀眾以強烈的藝術魅力。照片在傳統功能,高文化背景的風格,然后評估工作是否充分展示藝術創
All the elegant content to be observed reflects the traditional culture and artistic master, his own artistic and cultural accomplishment. Only the combination of the two can make the work status and give the audience a strong artistic charm. The photos are in traditional functional and high cultural background styles, and then evaluate whether the work adequately displays artistic creation.
造力,不同于別人的個性,傳統藝術個性是假的,是工匠的藝術。我不能離開觀眾的感官刺激,影響,而不是藝術藝術。換句話說,這三個方面是一個個人書法水平三個鏡子,三個層次。
Creativity is different from the individuality of others. Traditional artistic personality is false and artisan's art. I can not leave the audience's sensory stimulation, influence, not art and art. In other words, these three aspects are the three mirror and three levels of personal calligraphy level.
藏書畫必須自己會寫會畫嗎?答案是,
Is it necessary to write and draw pictures of the collection?
像古代書畫或現代和當代書畫的集合,從相應的知識是分不開的。我們的有五千年的文明,有必要讀一些歷史的藝術,欣賞,優點和缺點的真實性的識別有很大幫助。欣賞的水平只需要慢慢的,看起來更正常,慢慢了
Like the collection of ancient calligraphy and painting or modern and contemporary calligraphy and painting, it is inseparable from the relevant knowledge. Our country has 5000 years of civilization, it is necessary to read some historical art, appreciate, the advantages and disadvantages of the authenticity of the identification is very helpful. The level of appreciation needs to be gradual and normal.
解更多作品的味道。中心有畫,例如,如果你經常寫書法,書法中心可能出來的效果會更深刻的理解。并不是說不畫或寫,你不能開始書畫的鑒定方法。只要平時欣賞的書畫作品,消化和掌握的布局工作,繪畫、顏色,,在這些細節上,認真的分析可以成為。
To understand the taste of more works. There are paintings in the center, for example, if you write calligraphy often, the effect of the center may be more profound to understand. It is not that no painting or writing, you can not start the identification method of calligraphy and painting. As long as you usually appreciate excellent calligraphy and painting works, digest and master the layout work, painting, color, in these details, careful analysis can become an expert.
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