保藏書法字畫的朋友往往垂青“年份”，而忽視藏品本身的書法字畫性。
山東收購名人字畫人員提醒您，您保藏的是古代書法字畫品，不是全部的古物。有的古物“年份”很足，卻不具書法字畫性或書法字畫性甚低，則不宜歸入“書法字畫保藏”規模。如宋元時期的青白瓷壙碗，出土量非常巨大，具有書法字畫保藏價值的并不多，還不如年份短得多的清代書法字畫瓷。
The friends who preserve calligraphy and painting often prefer the "year" to the calligraphy and painting of the collection itself. The famous calligraphers and painters in Shandong remind you that what you keep is ancient calligraphy, calligraphy and painting, not all antiques. Some antiques are not suitable for being included in the scale of "calligraphy, calligraphy and painting preservation" because they have a sufficient "age" but do not have calligraphy, calligraphy and painting characteristics or the calligraphy, calligraphy and painting characteristics are very low. For example, the blue and white porcelain Xiengwan of the Song and Yuan Dynasties was unearthed in a very large amount. There are not many calligraphy, calligraphy and painting porcelain with preservation value, which is not as old as the calligraphy, calligraphy and painting porcelain of the Qing Dynasty, which is much shorter.
政界名人、學界名人、名作家、大科學家、影視明星、體壇明星、名僧名道等名人著作，除非其本人一起又是造就不低的書畫家，不然其著作皆不宜保藏。他們的涂鴉之作可以當做“名人墨跡”保藏，但不可以當做書法字畫品保藏出資。而像饒宗頤這樣的文化大師，在書畫方面也是獨造，其本身就是書畫大家，則可歸入書法字畫保藏之列。
The works of political celebrities, academic celebrities, famous writers, great scientists, film and television stars, sports stars, famous monks, famous Taoists and other famous people should not be preserved unless they are both highly educated calligraphers and painters. Their graffiti works can be preserved as "celebrity ink", but not as calligraphy, calligraphy and painting. However, cultural masters like Rao Zongyi are also independent in calligraphy and painting. They are masters of calligraphy and painting, and can be included in the list of calligraphy, calligraphy and painting preservation.
不可否認，全部書法字畫的著作都或多或少地融入了自己的特性成分，即便描摹品也有描摹者特性的投射。但是此著作往往特性不突出，所以有必要在“特性”前加“鮮明”二字作為強調。成功書法字畫的著作有必要具有鮮明的辨識性，具有激烈的原創精神和立異意識，即便不看落款，也能看出是某家的著作。
It is undeniable that all works of calligraphy, calligraphy and painting are more or less integrated with their own characteristics. Even the imitators have the projection of the characteristics of the tracer. However, the characteristics of this work are often not prominent, so it is necessary to add the word "distinctive" before "characteristics" as an emphasis. It is necessary for successful calligraphy, calligraphy and painting works to have distinctive identifiability, strong original spirit and innovative consciousness. Even if we don't look at the signature, we can see that it is the work of a certain company.
而作者知名度是書法字畫保藏出資有必要考慮的一項，但是并不等于說“知名度越高越有保藏出資價值”。值得注意的是保藏原則仍然是書法字畫性一，知名度二。此外名人書法字畫保藏并非全部名家著作都有價值，這條有兩層意思:
The author's popularity is a necessary consideration for the contribution to the preservation of calligraphy, calligraphy and painting, but it does not mean that "the higher the popularity, the more valuable the contribution to the preservation". It is worth noting that the preservation principle is still calligraphy and painting quality I and popularity II. In addition, the preservation of calligraphy, calligraphy and painting of celebrities is not valuable for all works of celebrities. This article has two meanings:
其一，有的大名家名實難副。在內地這種逆篩選的體制下，平凡者往往居上位，有能力者卻居于野，直到身后才大放異彩;其二，即便是當之無愧的名家，其著作也不是每件皆優。有時因為應酬、身體健康、情緒低落等原因會創作出低質平凡或不盡人意的書法著作或國畫。別的，在書法字畫終身的書法字畫生涯中，其早、中、晚期的著作水平懸殊往往是非常大的。
First, some great masters are hard to match. Under the reverse screening system in mainland China, ordinary people tend to be in the upper position, while capable people are in the wild, and they do not shine until they are behind; Second, even if a well deserved famous writer, his works are not all excellent. Sometimes because of social interaction, physical health, low mood and other reasons, they will create low-quality ordinary or unsatisfactory calligraphy works or traditional Chinese paintings. In addition, in the lifelong career of calligraphy, calligraphy and painting, the disparity between their early, middle and late works is often very large.
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