畫的現在和未來
藝術也象別的事物一樣，總是要新陳代謝的；一味的老調子，老樣子，盡管各種活動依舊熱鬧，但必然會走向衰亡。
Art is like other things, always to the old one, The new supersedes the old.; a taste of the old way, although a variety of activities is still busy, but it will decline.
當前，大家感到畫發展問題特別迫切，那正是由于權威機構、權威人物多年以來的導向結果之故。全國展覽評選機制單一，提倡工筆，提倡制作，提倡寫實。諸如此類，都足以令人跟風。權威機構、新聞媒體以及炒作宣傳有意只突出那幾位被無限拔高的名家，20年不變，形成固定人員，固定模式。一些能夠畫個性、畫人性、畫感情的畫家，他們不愿意接受公式化、概念化、江湖化的風氣，因此，他們早已退避三舍，便是命中注定了。
At present, we feel that the development of Chinese painting is particularly urgent, it is precisely because the authority, authority figures for many years the result of the guidance of the. National Exhibition selection mechanism is unitary, advocates fine brushwork, promote production, promote realism. And so on, enough to follow suit. The authoritative organizations, news media and publicity hype to only highlight that several are aggerated masters, 20 years, fixed personnel, fixed mode. Some can draw personality, human nature, the feelings of the painter painting painting, they are not willing to accept the formulation and conceptualization, the lakes of the atmosphere, therefore, they have already shied away, it is decreed by fate.
藝術的自由氣氛，畫家的平等精神，爭論的民主風度，寬容的思想境界，是古往今來，藝術得以繁榮昌盛的起碼條件。藝術史一個很重要的作用，就是后來人以史為鑒。這些年來，多少紅得發紫，能把人嚇個跟頭的畫家，無不在噓聲中落荒而去，不知所終。
The free atmosphere of art, the spirit of equality of the artist, controversial democratic style, tolerant ideological realm, is the basic condition to thriving and prosperous from ancient to modern times, the art of. A very important role in the history of art, human history is later. These years, the number of red hot, can scare the people a painter, all in boos to run, have never been heard of since.
物極必反，讀者和觀眾則尤然。胃口倒了以后，要得到滿足往往更加困難。
However, readers and viewers especially. Appetite fell later, to be met often more difficult.
但是，畫發展也有其規律性，也屬于藝術規律范疇之內的事，并非一說發展，就樣樣都去趨奇才是發展。
However, the development of Chinese painting has its regularity, but also belongs to the law within the scope of the matter, not a development, everything goes to wizards is the development.
畫的發展以生存狀態和自然環境，現實與歷史的聯系性為前提，執著于對精神獨立性的維護，在不脫離現實的同時，保持著對直覺、情感、潛意識等主觀世界的深度體驗。擔負著歷史責任和社會熱情，在失去精神追求的人生焦慮中喚醒理想的勇氣。其核心乃是通過個體意識的真正自主來追求生命存在的意義。藝術是對自我的超越，發展應該是反潮流和反流行性的。藝術的精神價值必然通過一定的形式來體現，寫意是畫的一種重要形式。如何正確對待“寫意”，就不能不涉及到形式美的觀念。如八大山人的畫，看起來簡單、概括，但它所包含的意義卻比一些寫實的具體形象更廣闊，更有力，它由具體的再現到寫意的表現，表達的內容并不是弱化和簡單化，反而是強化和精神化。藝術由再現（模擬）到表現（寫意），由寫實到寫意，正是一個由內容到形式的積淀過程。因此，那些似乎是純形式的線條、潑墨，實際是從寫實的形象演化而來。其內容（意義）已積淀（溶化）在其中。同時畫家的感情、觀念、思想也積淀（溶化）在其中。但是，發展不能只在形式上求變化，還得在創作中加以總結，加以研究，而且不能斬斷畫的歷史，只有同傳統繪畫、民族繪畫聯系起來探討，才可能找到出路。
The development of China painting in the living condition and natural environment, contact with the reality of history as the premise, dedicated to the maintenance of the spirit of independence, not far from the reality at the same time, keep on intuition, emotion, subconscious subjective world such as the depth of experience. Shouldering the historical responsibility and social enthusiasm, in the loss of spiritual pursuit of life anxiety wake up the ideal courage. Its core is the pursuit of the meaning of life through the true autonomy of individual consciousness. Art is the transcendence of self, development should be anti tide and anti pop. The spiritual value of art must be reflected in certain forms, freehand brushwork is an important form of Chinese painting. How to correctly deal with "freehand brushwork", can not help but involve the concept of formal beauty. Such as Badashanren painting, looks simple and brief, but it contains some realistic significance than the specific image of broader, more powerful, it is specific to reproduction of decent performance, the expression content is not weakened and simplistic, but is strengthening and spirit. Art from reproduction (simulation) to performance (freehand brushwork), from realism to freehand brushwork, is a content from the form of the accumulation process. Therefore, what seems to be the pure form of lines, ink is actually from the image evolution and realistic. Its content (meaning) has been accumulated (melted) in which. At the same time the painter's feelings, ideas, ideas are also accumulated (melt) in which. However, the development can not only seek changes in form, to summarize, in the creation of, and can not be cut off China painting history, only with the traditional painting, paintings of the nation together to find a way to.
